I develop concepts, write copy and scripts, and lead creative across branded content, digital and social campaigns, and entertainment. I've taken projects from brief through production for brands and studios including LEGO, Google, Lenovo, and Nickelodeon while also writing for YouTube, podcasts, animation, and TV. I've pitched original series, led writers on branded campaigns, and generally love helping ideas get off the ground.
I also have a good head of hair and am compulsively punctual (but those are just fun facts).
LEGO wanted a live-action, creator-centric comedy series that would help age up their brand presence on YouTube.
[TK — 2–3 sentences: the insight behind the approach and why it was the right answer to the brief]
As head writer, I led a two-writer team through episode ideation across two full seasons — 32 long-form episodes and 32 shorts — while serving as a creative point of contact between the production team and LEGO's brand team. I developed episode themes, segment concepts, LEGO build ideas, and host intro/outro segments, and wrote on-set.
EXT. WONDERCON - DAY
Isaiah (dressed as a Jedi) and Harri (dressed as a Sith) exchange looks from across a table as intense orchestral music plays. The LEGO Smart Play Throne Room is set up between them.
This is ROUND 1: THRONE ROOM BATTLE
Harri
Isaiah… I am your father!
Isaiah
NOOOOOOOO!
Isaiah grabs LEGO Luke and Harri grabs LEGO Darth for an epic lightsaber battle in the throne room set, complete with lightsaber SFX and flashing smart bricks. Whichever host knocks the other player's minifigure off their pedestal celebrates!
Both hosts turn to camera to explain what's happening.
Harri
What's up, guys! We're here in Anaheim at one of the world's biggest fandom conventions!
Isaiah
And today, we're competing to see which side of the Force is stronger: the Light side…
Harri
…or the Dark side.
The hosts reveal a scoreboard, which looks like a Face Pain Chart between "light" (blue) and "dark" (red) with a Darth Vader LEGO minifigure in the middle. For each game that Isaiah wins, Vader moves towards the light side. For each game that Harri wins, Vader moves towards the dark side.
Harri
Every time one of us wins a game, our side of the Force gets stronger. And whichever one of us is more powerful at the end of this video gets a mystery Star Wars LEGO trophy…
Isaiah
Since [I/Harri] won the first round, that means the first point goes to the [light side/dark side]. But we're just getting started. Let's go!
Two seasons. 64 pieces of content. 30M+ views on LEGO's own YouTube channel.
Past Gas is Donut Media's flagship auto-history podcast and the #1-ranked show in its category. I wrote 29 episodes during its original weekly format, before the show was reconceptualized into 12-episode seasons.
[TK — 2–3 sentences: the insight behind the approach and why it was the right answer to the brief]
I was promoted to lead writer with rewrite authority for the first season under the new format, focusing on narrative clarity, tonal consistency, and factual accuracy — bringing my total to 41 episodes written for the show.
NOLAN (Narrator):
Lloyd Seay found himself lying in the dirt. He was bleeding. Badly. He looked over and saw blood similarly gushing from his brother's neck. They had both just been shot by their own kin. And he wanted to know… Why? Twelve hours earlier he had won the biggest stock car race in the sport's short history. And now he was dying in a feud over moonshine.
You probably know that alcohol was illegal in the United States from 1919 to 1933, an era known as Prohibition. You might even know that a group of bootleggers went on to help found NASCAR. But the intertwined histories of moonshine and cars go a lot deeper than that.
It was four redneck rum runners in particular that basically invented engine mods and as a result brought both backwoods hooch AND stock car racing to the masses. Who were they? And how did their efforts to outrun the law turn into a modern day racing behemoth? Grab a mason jar of White Lightning and settle in, because today on Past Gas we're talking about bootlegging and burnouts… This is the story of stock car racing's very first pro team.
CUT TO THEME
[Fade to unscripted CAST INTROS]
41 episodes across both formats of Donut Media's #1-ranked auto podcast, with millions of listens across podcast platforms.








Writer for #GamerVsWorld, a branded YouTube campaign for Lenovo starring creators SypherPK and Casual Gamer. Developed scripted and unscripted videos around their personalities and gaming audiences; the campaign earned 10M+ views and won a Shorty Award for Best YouTube Partnership. Watch video
Lead Writer for an interactive, 12-video choose-your-own-adventure YouTube series, developing the branching narrative and scripts, celebrating Google's partnership with Niantic and Pokémon GO. Delivered 10M+ total views across 100+ campaign assets, 700k+ social engagements, and a 50%+ retention rate past the intro video. Watch video
Wrote three episodes exploring passionate creator communities — K-pop, Hatsune Miku, and video essays — as part of a larger campaign for YouTube's branded channel. Watch video
Lead creative on a series of print and digital ad campaigns for Blueprint LSAT Prep, developing the concepts and writing the copy for each execution. Also wrote copy for Blueprint's website and ecommerce sales funnels.
Head writer for an 8-episode branded podcast series on Ford Racing history, currently in post-production. Wrote scripts and led historical research and archival work, conducted talent interviews, and directed a staff of writers on episode ideation and scripts.
Developed the concept and script for Portal A's Google Play campaign for Homescapes, creating an IRL obstacle course inspired by the game with creator Briana Arsement. Also supported production on set. Watch video
Long-form scripts are most of what I do, but a lot of the job is the short stuff — the subject line that has to earn an open, the promo that has to be funny and legally accurate at the same time, the toolkit copy five different creators will each make sound like their own. Here's some of that.
Two fundraising emails to the same list on back-to-back days, built on opposite strategies. The first names the stakes and makes an argument. The second leads with social proof and a list of perks. One of them worked considerably better.
Comedy is dying. Help me save it.
Can you guess how many websites there are that pay comedy writers?
Seven.
That's not a typo. Across the entire world wide web, I found seven humor publishers with an open submission policy and guaranteed payments. Chortle is one of them.
Opened the argument with a number, then let the number sit there alone. 49% open rate, 2.2% click rate.
How often do you actually laugh?
Let's be real — laughter is harder to find than ever. Except here. Maybe you chuckle when we make fun of America's most important idiots. Or maybe you prefer our posts about dating or parenting or aging. Whatever the case, Chortle sends you comedy five days a week, like clockwork.
The perks-and-proof version. 46% open rate, 1.0% click rate.
Same list, two days apart. The mission-driven ask more than doubled the click-through of the benefits-driven one and drove three and a half times the conversions. Naming the stakes beat listing the perks — worth remembering the next time a brief asks for "value props."
Social copy for a studio account with an audience that grew up on the brand and can spot a fake. Everything had to sound like Nick without sounding like a marketing department.
Trend-jacking the #20YearsChallenge with a then/now of the studio lobby. Seven words. 14.7K likes.
Legal-reviewed sweepstakes copy with real mechanics — follow, hashtag, tag two friends, age and territory restrictions — that still sounds like the brand instead of like terms and conditions.
One sentence, entire brand.
An interactive choose-your-own-adventure campaign built around three training tracks — Music, Fitness, and Exploration. The social layer had to route people into tracks, drive user-generated content back to a single hashtag, and survive being rewritten by every creator who posted it.
Brand-channel post. Poses the track choice as a question, then hands off to the ticket CTA.
I delivered a copy toolkit — a deck of caption options with the hashtag architecture, brand language, and CTA structure built in — for the Try Guys and four guest creators. Each creator adapted it into their own voice. The campaign held together anyway. That's the job.
Five days a week, the headline is the whole ad. Some I write outright. On most, a contributor brings the headline and I write the line underneath that lands it.
400+ pieces from 70+ contributors, all of it sounding like one publication.
Co-created, wrote, and voiced an original animated series commissioned for Nickelodeon's YouTube channel. Created and pitched the concept with one person — then made the resulting shorts ourselves. Watch an episode
Created an original animated series that Nickelodeon developed for three years. Created the concept, characters, series materials, and pitch, and worked with the studio throughout development.
Read the Series Bible
Writer and voice actor for Nickelodeon's animated series Glitch Techs, streaming on Netflix. There are Reddit threads about me. Watch it on Netflix
Dialogue writer and story consultant for the animated feature film from writer/director Reza Memari and Telescope Animation, theatrically distributed in the U.S. by Viva Kids in 2026. Watch the trailer

Founder and editor of a humor publication — commissioning and editing 400+ pieces from 70+ contributors into a consistent editorial voice, while growing it into a Substack bestseller and top 100 humor publication.
Read "Coachella for People Approaching 40" Read "10 Insanely Marketable Movie Ideas"
Developed formats, segment concepts, and wrote jokes for an upcoming Property Brothers YouTube talk show. Produced by Mindjam Media; in production for November 2026 release.